As you may have heard, a Red Flag Warning has been issued for several Bay Area counties, which could initiate a PG&E Public Safety Power Shutoff in the next 24 hours. While Richmond is listed as one of the cities possibly affected, current maps on the PG&E site show us as in the clear. That could change at any time however, so we want to prepare you just in case! Should the power be out, we will unfortunately need to close the Art Center for that day. Any classes scheduled for that day will be rescheduled for a make-up session at the end of season.
We will be tracking the status of the blackouts carefully, but most likely we will only know if the power will be out after the fact. The Contra Costa County site is providing alerts and maps of affected areas HERE. PG&E is also updating maps of affected areas, such as THIS ONE. You can refer to these sites for more information, or you can call our Front Desk at 510-620-6772. If luck is with us, we will have power and you will reach a person or at least our voice mail. If we are closed due to no power, your call
will go straight to the automated attendant system.
We will do all we can to keep you apprised of the situation. Thank you for your patience and understanding at this time!
Posts Tagged ‘featured’
We are excited to announce that Jos Sances‘ Or, the Whale is scheduled to appear at locations across California, Massachusetts and Kansas starting this month. Sances’ impressive life size scratchboard drawing of a sperm whale drew large crowds to the Richmond Art Center when it was featured in the fall exhibition Here is the Sea (check out the press from this show). Now audiences across America will have the opportunity to experience this epic work. See the touring schedule below.
Posters for sale! Would you like your own copy of Or, the Whale? Starting in October the Richmond Art Center will be selling high resolution posters of the piece. These limited edition posters are printed on archival quality paper and each copy is signed by the artist. The unframed poster is six feet long and available for $200. A display copy of the poster will be on view at the front desk at the Richmond Art Center for the next six months. Come and see the amazing detail illustrating the history of capitalism in America that Jos Sances’ embeds within the body of the whale!
OR, THE WHALE TOURING SCHEDULE
Global Nurses Solidarity Assembly
Hilton San Francisco, 333 O’Farrell Street, San Francisco
September 12-15, 2019
155 Grand Avenue, Oakland
September 20-27 and October 4 (First Friday)
Presentation by Jos Sances: September 26, 1:30pm
Marin Center, San Rafael
October 18-20, 2019
Palace of Fine Arts, San Francisco
To be layed out on floor and viewed from above
New Bedford Whaling Museum’s Moby Dick Marathon
18 Johnny Cake Hill, New Bedford, MA 02740
Lawrence Arts Center
940 New Hampshire St, Lawrence, KS 66044
Image: Jos Sances, Or, the Whale (detail), 2018-19. Courtesy of the Artist. Photo by John Wehrle
August 19, 2019: The Richmond Art Center’s fall exhibitions Countersteer; Thresholds; Pause, Gap, Omission; Ready and Waiting and Rich Reality will run from Tuesday, September 10 through Friday, November 22, 2019.
Since the invention of the motorcycle over 100 years ago, creative individuals have endeavored to improve performance and enhance the aesthetics of their vehicle of choice. Motorcycles, as symbols of personal freedom, are often the “canvas” for that personal expression. California, the heart of American motorcycle culture, is a hotbed of creativity on wheels.
Countersteer examines personal expression through the medium of the motorcycle. From its beginnings as a motorized bicycle, the motorcycle has inspired creative modifications matching its great versatility: a bike can be a city commuter, long-distance tourer, track racer, backcountry explorer, drag racer and much more. In every guise, when motionless, motorcycles become aesthetic objects that people have, from day one, adorned with unique painted surfaces and hand-crafted parts; the personal expressions of their makers.
Countersteer features fourteen custom built motorcycles, each reflecting a particular purpose and creative sensibility. The exhibition starts almost where it all began, with a 1909 Harley-Davidson motorcycle. It goes on to include a rideable parts-bin special named Pixie, built in 2013 by a team of artists for an annual competition and party. Other bikes in the exhibition were built for show, for racing or just for tearing up the avenues for the pleasure of riding. In addition to the bikes on display, a glimpse into motorcycle culture and spirit comes from paintings, sculptures and even a quilt made by artists inspired by their motorcycle dreams and riding exploits.
Countersteer is guest co-curated by Danny Aarons and Phil Linhares.
Thresholds: Nicole Mueller
Through this exhibition called Thresholds, that includes a new body of paintings and site-specific installation, Nicole Mueller will transform the gallery into a shifting environment that addresses the transitional and intangible nature of spaces. Using cut layers of colored films, collage, and paint, Thresholds will activate the natural light and windows of the Richmond Art Center’s West Gallery, combining the effects of stained glass with contemporary abstract painting.
Pause, Gap, Omission is guest curated by Marguerite T. Browne.
Ready and Waiting
This group exhibition will feature Californian graphic art and illustration exploring shared issues relevant to local and global communities. The exhibition is juried by Marvella Muro, Director of Artistic Programs and Education at Self Help Graphics and Art in Los Angeles.
Community Gallery Display Cases
This exhibition features work by young artists who participated in a five-week free printmaking class at the Richmond Art Center this summer. The class was run by youth, for youth, and with youth.
Images: Top: Countersteer Motorcycles; Bottom l-r: Joel Berroteran, Temporary Fix, 2019; Stephen Namara, Untitled (peaches), 2019; Nicole Mueller, Thresholds, 2019
1. Motorcycling: To initiate a turn by steering opposite to the direction desired.
2. Common: To steer against the tide of norms and expectations.
August 8, 2019: The Richmond Art Center invites visitors to the upcoming exhibition Countersteer: Custom Motorcycles as Self-Expression. Countersteer explores personal expression through the medium of the motorcycle.
From their beginnings as motorized bicycles, motorcycles have inspired creative modification, specialization and personalization. A motorcycle can be a commuter, long-distance tourer, track racer, back country explorer, drag racer and more, but when motionless, a motorcycle becomes an aesthetic object. Countersteer will consider those studied surfaces, hand-crafted parts and unique modifications as artistic self-expression.
“Motorcycles have captivated imaginations and inspired creativity for generations,” says Philip Linhares, co-curator. “This is not a motorcycle show, but an exhibition of personal and cultural expression, combining art and engineering in the evolution of an aesthetic object.”
The exhibition includes motorcycles from 1909 to the present, re-imagined and re-worked by Bay Area artist-engineer-designers. Each motorcycle explores artistic and personal expression through customizing this American icon. Motorcycle culture and spirit will be explored further through paintings and sculptures included in the exhibition, each by artists inspired by their own motorcycling experience and exploits.
The 12 bikes on display will range from a 1909 Harley-Davidson to a Parts-bin Special assembled by a team of artists to compete in the Annual Dirt Bag Challenge. Each machine represents a unique approach to out running, out maneuvering or out shining the field of stock motorcycles. Contributors include Bay Area builders from the famous to the anonymous including Arlen Ness, Cory Ness, Jimmy Kilroy, John Buddenbaum and Jul Neimier.
“The exhibition reveals a strong do-it-yourself ethos that drives people to turn two-wheel conveyances into movable sculpture” said Danny Aarons, co-curator. “It offers a view into a hugely diverse sub-culture and asks, “Why customize a bike? Can we recognize a motorcycle as art?”
Countersteer is guest co-curated by Phil Linhares and Danny Aarons.
About the Curators:
Phil Linhares, retired Chief Curator of Art, Oakland Museum, 1990-2011
Danny Aarons, arts promoter, collector and motorcycle enthusiast
Exhibitions and events are free and open to the public.
Countersteer: Motorcycles as Self-Expression will be on view September 10 – November 22.
The Countersteer Opening Reception will be held Saturday, September 7, 5:00 – 7:00 PM.
For more on Countersteer:
Image: (purple) John Martin, Chopper (cardboard sculpture), 2010; (red) Jimmy Kilroy, Ducati 750 Monster, 1999/2002; (yellow) Cory Ness, Double Engine Bagger, 2015; (blue) Jul Neimier, Rickman-Triumph, 1960s/2006-2019.
We are pleased to announce the Richmond Art Center was recently awarded three program grants from the California Arts Council totaling $47,000. This fall, we will provide free field trips to 1500 Richmond elementary students, guided tours of current exhibitions and art-creation workshops at the Richmond Art Center.
In addition, we will expand our in-school and after-school art programs in Richmond schools this upcoming school year. The awards are an indication of the quality of Richmond Art Center community programs and value of arts as an essential component in youth education.
Congratulations to the Arts in the Community team for their dedicated work!
Join us for an artist’s talk and gallery walkthrough with Richard-Jonathan Nelson in conjunction with his solo show, Discontent with Brute Force Uploading.
About the Artist: Richard-Jonathan Nelson is a multi-disciplinary artist who uses textiles, video, and digital manipulation to create alternative worlds of speculative identity. His work is multi-layered, chromatically intense and mixes images of the natural world with reference to hoodoo, queer culture, and Afro-Futurism. Born in Savannah, Georgia (1987) and working in Oakland, CA, Nelson received his MFA from California College of the Arts in 2017. His work has been exhibited at Southern Exposure, Embark Gallery, Root Division in San Francisco, and Aggregate Space in Oakland.
Image: Richard-Jonathan Nelson, Untitled, 2019. Courtesy of the Artist
Please join us at the Richmond Art Center on World Refugee Day for an evening of poetry, music, and conversations with local writers, musicians, and activists for Artographies: Voices, Sounds & Poetry from the Bay Area on Refugees & Borders. Food and beverages will be served. This event is free.
Participants include Veronica Aguilar, Rachel Qúy Collier, Yang Huang, Laleh Khadivi, Oliver Mok, Bonnie Wai-Lee Kwong, Nwe Oo, Sakhone, Audrey T. Williams, Maw Shein Win, Kenneth Wong, and Julie Zhu.
Special thanks to Dr. Penny Edwards, The Critical Refugee Studies Collective, and the Department of South and Southeast Asian Studies at the University of California, Berkeley.
Much gratitude to the Human Rights Center at the UC Berkeley School of Law for their generous sponsorship.
This event is organized by Bonnie Wai-Lee Kwong and Maw Shein Win.
About the participants:
Veronica Aguilar is an activist who works for Pueblo Sin Fronteras. pueblosinfronteras.org
Rachel Qúy Collier is a writer, teacher, and translator who lives in the Bay Area with her family.
Yang Huang is a Chinese-American fiction writer and computer engineer. Her collection of linked family stories My Old Faithful won the Juniper Prize for Fiction. Her debut novel Living Treasures won the Nautilus Book Award silver medal in fiction. Her essays and stories have appeared in Poets & Writers, TASTE, Literary Hub, The Margins, Asian Pacific American Journal, and others. Yang lives in the San Francisco Bay Area and works for the University of California at Berkeley. yanghuang.com
Laleh Khadivi was born in Esfahan, Iran. Her debut novel, The Age of Orphans, received the Whiting Award for Fiction, the Barnes and Nobles Discover New Writers Award and an Emory Fiction Fellowship. Her debut documentary film 900 WOMEN aired on A&E and premiered at the Human Rights Watch Film Festival. She has worked as director, producer and cinematographer of documentary films since 1999. Her fiction and non-fiction can be found in The Los Angeles Times, The San Francisco Chronicle, VQR, The Sun and other publications. She is the recipient of a 2016 National Endowment for the Arts Grant and a 2016 Pushcart Prize for her story Wanderlust. She lives in Northern California. laleh-khadivi.com
Oliver Mok is a guitarist interested in the continued exploration of sound, improvisation and composition.
Bonnie Wai-Lee Kwong is a multi-disciplinary artist and software developer in the San Francisco Bay Area. She has lived in nine states and two continents. Art is a way for her to traverse seen and unseen geographies. Her first poetry collection is ravel, a finalist for the many voices project by New Rivers Press, and the White Pine Poetry Prize. Bonnie is Lead Artist in the Critical Refugee Studies Project artographies: in other words/worlds. Bonnie’s first play Liriope was staged as a work in progress at Jasper Ridge Biological Preserve to culminate her artist’s residency at Stanford University.
Nwe Oo is a Bay Area activist for the Rahkine people in Burma.
Sakhone from the Asian Prisoner Support Committee will speak about his lived experience. asianprisonersupport.com
Audrey T. Williams is a Poet and Storyteller who is either creating, curating, or dreaming. She writes from the intersection of her African and “South by Southeast Asian” ancestry. She earned her MFA in Creative Writing at CCA in 2018 and is on the Board of Directors at the Oakland Asian Cultural Center. She is working on her first book, Of Chutneys and Chitlins: Stories from a Multi-cultural American Girl.
Maw Shein Win is a poet, writer and educator whose poetry collections include Score and Bone (2016), Invisible Gifts: Poems (2018) and a forthcoming collection on Omidawn in Fall (2020). The first poet laureate of El Cerrito (2016 – 2018), Maw is currently a Visiting Scholar in the Department of English, UC Berkeley and Lead Artist in the Critical Refugee Studies Project artographies: in other words/worlds. mawsheinwin.com
Kenneth Wong is a Burmese-American writer, blogger, artist, and translator. His short stories, essays, articles, and poetry translations have appeared in the San Francisco Chronicle, Boston University’s AGNI magazine, Irrawaddy, Myanmar Times, California College of the Arts’ Eleven Eleven magazine, and other publications. He currently teaches a course on Beginning Burmese at UC Berkeley.
Julie Zhu is a composer, artist, and carillonneur pursuing a doctorate in music composition at Stanford University who strives towards expressive synchronicities between disparate fields.
Photo by Bonnie Wai-Lee Kwong
Join us for a lively talk with artists participating in our annual Members’ Show and Parts Unseen. This event is an experiment in letting artists have the floor. The mood will be informal, the pace will be quick, the goal is for artists to use their own words to reveal new dimensions about their work.
Images of artists participating in the 2018 Member Artist Talk (l-r, top-bottom): Shamy Noily, Jessica Jordao, Jayma Brown, Peter Baczek, Jennie Braman, Bertrell Smith, Hilda Robinson, Robbin Henderson, Rachel Padilla. Photos by Bill Johnston Jr.
Images (clockwise from top): Richard-Jonathan Nelson, Untitled, 2019; Dennis A. Giacovelli, Untitled (Self-Portrait), 2018; Mary Jeys, Waving Hand, 2018; Ruth Tabancay, What’s In You and On You: Normal Flora and Pathogens (detail), 2018
Richmond Art Center members are cordially invited to attend our annual members meeting. The purpose of the meeting is for members of the Richmond Art Center is to approve the changes to the organization’s Bylaws. Richmond Art Center’s Members must be present to vote.
After the meeting, we’ll kick off the reception for our summer exhibitions!
3:30-5:00pm Members voting for acceptance of 2019 revision of Bylaws
4:00-4:45pm Presentation of Art Center’s achievement’s over the past and looking ahead
5:00-7:00pm Opening Reception for Summer Exhibitions, including the Annual Members Show
Image: Artwork by Jennie Braman (Mientras II, 2018) whose work will be featured in the members’ spotlight exhibition, Parts Unseen, opening on June 8.