Free, family-friendly arts and crafts festival includes over 55 local artist vendors, community partners and food vendors, holiday café and free art activities for all ages, from 11 AM – 5 PM
Richmond, CA – November 26, 2019 – The Richmond Art Center invites holiday shoppers to experience a day of custom-made arts and crafts, jewelry, ceramics, textiles, packaged goods, clothing and accessories made by local independent artists and craftspeople. The 57th Annual Holiday Arts Festival is the largest community event and fundraiser for the Richmond Art Center, free to the public, with over 55 local artists and artisan vendors, non-profit community partners and gourmet food vendors participating, Sunday, December 8, 11 AM – 5 PM, at the Richmond Art Center, 2540 Barrett Avenue, Richmond.
“The Holiday Arts Festival is an annual East Bay tradition that brings the art community together and introduces handcrafted art to new audiences,” said Addela Garboos, Operations Director, Richmond Art Center. “For the hard-to-shop-for person, I am always able to find a gift here.
Visitors can browse the Richmond Art Center’s four galleries
for holiday gifts made by local, independent artists and artisans, treat
themselves to food from local gourmet food trucks and caterers, relax in the
Holiday Café which will serve coffee, pastries, beer and wine. The festival
also features its annual raffle of donated items from local artists, a Ceramics
Sale and Yarn Market to support Studio Art programs, a holiday giftwrap station
to present gifts in artistic style and free holiday art activities for all
About the Richmond Art Center
The Richmond Art Center
is the largest visual arts center in the East Bay, delivering exciting arts
experiences to people of all ages who reflect the diverse richness of our
community. We do this through onsite Studio classes and Exhibitions and offsite
Art in the Community programs.
As you may have heard, a Red Flag Warning has been issued for several Bay Area counties, which could initiate a PG&E Public Safety Power Shutoff in the next 24 hours. While Richmond is listed as one of the cities possibly affected, current maps on the PG&E site show us as in the clear. That could change at any time however, so we want to prepare you just in case! Should the power be out, we will unfortunately need to close the Art Center for that day. Any classes scheduled for that day will be rescheduled for a make-up session at the end of season.
We will be tracking the status of the blackouts carefully, but most likely we will only know if the power will be out after the fact. The Contra Costa County site is providing alerts and maps of affected areas HERE. PG&E is also updating maps of affected areas, such as THIS ONE. You can refer to these sites for more information, or you can call our Front Desk at 510-620-6772. If luck is with us, we will have power and you will reach a person or at least our voice mail. If we are closed due to no power, your call will go straight to the automated attendant system.
We will do all we can to keep you apprised of the situation. Thank you for your patience and understanding at this time!
We are excited to announce that Jos Sances‘ Or, the Whale is scheduled to appear at locations across California, Massachusetts and Kansas starting this month. Sances’ impressive life size scratchboard drawing of a sperm whale drew large crowds to the Richmond Art Center when it was featured in the fall exhibition Here is the Sea (check out the press from this show). Now audiences across America will have the opportunity to experience this epic work. See the touring schedule below.
Posters for sale! Would you like your own copy of Or, the Whale? Starting in October the Richmond Art Center will be selling high resolution posters of the piece. These limited edition posters are printed on archival quality paper and each copy is signed by the artist. The unframed poster is six feet long and available for $200. A display copy of the poster will be on view at the front desk at the Richmond Art Center for the next six months. Come and see the amazing detail illustrating the history of capitalism in America that Jos Sances’ embeds within the body of the whale!
Since the invention of the motorcycle over 100 years ago, creative individuals have endeavored to improve performance and enhance the aesthetics of their vehicle of choice. Motorcycles, as symbols of personal freedom, are often the “canvas” for that personal expression. California, the heart of American motorcycle culture, is a hotbed of creativity on wheels.
Countersteer examines personal expression through the medium of the motorcycle. From its beginnings as a motorized bicycle, the motorcycle has inspired creative modifications matching its great versatility: a bike can be a city commuter, long-distance tourer, track racer, backcountry explorer, drag racer and much more. In every guise, when motionless, motorcycles become aesthetic objects that people have, from day one, adorned with unique painted surfaces and hand-crafted parts; the personal expressions of their makers.
Countersteer features fourteen custom built motorcycles, each reflecting a particular purpose and creative sensibility. The exhibition starts almost where it all began, with a 1909 Harley-Davidson motorcycle. It goes on to include a rideable parts-bin special named Pixie, built in 2013 by a team of artists for an annual competition and party. Other bikes in the exhibition were built for show, for racing or just for tearing up the avenues for the pleasure of riding. In addition to the bikes on display, a glimpse into motorcycle culture and spirit comes from paintings, sculptures and even a quilt made by artists inspired by their motorcycle dreams and riding exploits.
Countersteer is guest co-curated by Danny Aarons and Phil Linhares.
Through this exhibition called Thresholds, that includes a new body of paintings and site-specific installation, Nicole Mueller will transform the gallery into a shifting environment that addresses the transitional and intangible nature of spaces. Using cut layers of colored films, collage, and paint, Thresholds will activate the natural light and windows of the Richmond Art Center’s West Gallery, combining the effects of stained glass with contemporary abstract painting.
This group exhibition will feature Californian graphic art and illustration exploring shared issues relevant to local and global communities. The exhibition is juried by Marvella Muro, Director of Artistic Programs and Education at Self Help Graphics and Art in Los Angeles.
1. Motorcycling: To initiate a turn by steering opposite to the direction desired. 2. Common: To steer against the tide of norms and expectations.
August 8, 2019: The Richmond Art Center invites visitors to the upcoming exhibition Countersteer: Custom Motorcycles as Self-Expression. Countersteer explores personal expression through the medium of the motorcycle.
From their beginnings as motorized bicycles, motorcycles have inspired creative modification, specialization and personalization. A motorcycle can be a commuter, long-distance tourer, track racer, back country explorer, drag racer and more, but when motionless, a motorcycle becomes an aesthetic object. Countersteer will consider those studied surfaces, hand-crafted parts and unique modifications as artistic self-expression.
“Motorcycles have captivated imaginations and inspired creativity for generations,” says Philip Linhares, co-curator. “This is not a motorcycle show, but an exhibition of personal and cultural expression, combining art and engineering in the evolution of an aesthetic object.”
The exhibition includes motorcycles from 1909 to the present, re-imagined and re-worked by Bay Area artist-engineer-designers. Each motorcycle explores artistic and personal expression through customizing this American icon. Motorcycle culture and spirit will be explored further through paintings and sculptures included in the exhibition, each by artists inspired by their own motorcycling experience and exploits.
The 12 bikes on display will range from a 1909 Harley-Davidson to a Parts-bin Special assembled by a team of artists to compete in the Annual Dirt Bag Challenge. Each machine represents a unique approach to out running, out maneuvering or out shining the field of stock motorcycles. Contributors include Bay Area builders from the famous to the anonymous including Arlen Ness, Cory Ness, Jimmy Kilroy, John Buddenbaum and Jul Neimier.
“The exhibition reveals a strong do-it-yourself ethos that drives people to turn two-wheel conveyances into movable sculpture” said Danny Aarons, co-curator. “It offers a view into a hugely diverse sub-culture and asks, “Why customize a bike? Can we recognize a motorcycle as art?”
is guest co-curated by Phil Linhares and Danny Aarons.
About the Curators: Phil Linhares, retired Chief Curator of Art, Oakland Museum, 1990-2011
Danny Aarons, arts promoter, collector and motorcycle enthusiast
Exhibitions and events are free and open to the public.
We are pleased to announce the Richmond Art Center was recently awarded three program grants from the California Arts Council totaling $47,000. This fall, we will provide free field trips to 1500 Richmond elementary students, guided tours of current exhibitions and art-creation workshops at the Richmond Art Center.
In addition, we will expand our in-school and after-school art programs in Richmond schools this upcoming school year. The awards are an indication of the quality of Richmond Art Center community programs and value of arts as an essential component in youth education.
Image: Top: Richard-Jonathan Nelson, Untitled, 2019. Courtesy of the Artist, Bottom: Ruth Tabancay, What’s In You and On You: Normal Flora and Pathogens (detail), 2018 Mary Jeys, Waving Hand, 2018, Dennis A. Giacovelli, Untitled (Self-Portrait), 2018. Second Class (E5) Engineman: Navy 1969- 71, Vietnam 1970.
Richard-Jonathan Nelson’s solo exhibition examines how craft can be used to depict Black bodies in an imagined future. Through hybridizing traditional craft practices – like embroidery, weaving, and quilting – with digital art, Nelson’s work challenges the history of the mass media’s “uploading” of Black Diaspora as a monolithic culture, and reimagines the Black body as a place for futuristic progress. Nelson’s work draws reference from African-American low country herbalism, cybernetic Afrofuturism and his family’s history working with fabric.
About the Artist: Richard-Jonathan Nelson is a multi-disciplinary artist who uses textiles, video, and digital manipulation to create alternative worlds of speculative identity. His work is multi-layered, chromatically intense, and mixes images of the natural world with reference to hoodoo, queer culture, and Afrofuturism. Born in Savannah, GA (1987) and working in Oakland, CA, Nelson received his MFA from California College of the Arts in 2017. His work has been exhibited at Southern Exposure, Embark Gallery, Root Division in San Francisco and Aggregate Space in Oakland.
ABOUTFACE Community Gallery Exhibition Dates: June 11 – August 16, 2019
This large-group exhibition brings together Veteran self-portraits from the Arts and Culture Commission of Contra Costa County’s ABOUTFACEprogram. Over 100 self-portraits will be presented, for the first time bringing together the numerous ABOUTFACE works created over multiple years of the program. Collectively the pieces form a ‘unit’ that represents the varied stories of Veterans transitioning from military to civilian life.
About the program: In 2015 the Arts and Culture Commission and the Physical Rehabilitation Service at Veterans Affairs Health Care in Martinez developed ABOUTFACE to improve the lives of California’s Veterans through arts programming. Based on the belief that individuals have the capacity to heal themselves, ABOUTFACE engages Veterans through painting workshops focused on artistic skill development and self-expression. The two-day workshops are team-taught by a teaching artist and a qualified therapist, with a Veteran coordinator present. Workshop activities include meditation, peer discussion, sketching each other, and painting a final self-portrait.
Parts Unseen West Gallery Exhibition Dates: June 11 – August 16, 2019 Reception: Saturday, June 8, 5-7pm
This exhibition brings together recent works by three artists who received the Spotlight Award for their work in the 2018 Members’ Show: Bill Abright, Jennie Braman, and Ruth Tabancay. While working in disparate media, these artists share an interest in transfiguring and deconstructing the human form.
About the Artists: Bill Abright was introduced to clay by Bruce Duke at San Joaquin Delta College in Stockton in the late 60’s. He completed his graduate degree at San Francisco State in 1974 working with Bud McKee, Stephen De Staebler, Joe Hawley, and David Kuraoka. Abright recently retired after 40 years teaching ceramics at the College of Marin. Jennie Braman is an artist and educator based in the San Francisco Bay Area. She is full-time faculty in Studio Art and Art History at Berkeley City College in Berkeley, CA, and served as Chair of the Art Program for the last decade. Braman’s current drawings investigate the nature of representation and the creative language of the body. Ruth Tabancay‘s passion for science led her to study bacteriology in college, and after a stint as a hospital laboratory technologist, she went on to medical school. After 11 years in private practice, she left medicine to study art. Her works refer largely to her previous studies in microbiology, anatomy, and geometry. She is a graduate of UC Berkeley; UC School of Medicine, San Francisco; and California College of the Arts.
Each year, the Richmond Art Center invites our members to participate in our annual Members’ Show, which is showcased in the Main Gallery. One of the oldest and largest non-juried member exhibitions in the Bay Area, this tradition presents a wide variety of media, styles, and subject matter by aspiring, emerging, and established artists, many of whom are colleagues, teachers, and students of the Richmond Art Center.
Each year Richmond Art Center honors three organizations and individuals who have contributed generously to the long-term wellbeing of RAC. This year those three included the Dean and Margaret Lesher Foundation, Betty Ann and Ray Barnett, and Hilda Robinson. We are honored to count these three as friends and supporters of RAC over many years.
After the awards ceremony, the crowd gathered for our live auction featuring art works by Peter Voulkos, Claire Falkenstein, Ed Penniman, Jos Sances, Rudolph Serra, Fred Alvarado, Stephen Bruce, and Randy Strong. In addition, unique opportunities to go salmon fishing on the Feather River, fly over the Bay Area in a private plane, travel to Santa Fe, enjoy a champagne party at RAC, and or take personal painting class, complete with wine and hors d’oeuvres with Ric Ambrose, were auctioned off to the highest bidder.
The evening included entertainment by dancer Maggie Powers, magician David Hirata, and jazz guitarist Hideo Date. Los Moles of El Cerrito provided a broad sampling of their moles, with decadent desserts donated by Maria’s Gourmet Bakery in El Sobrante.
Many thanks to our sponsors Jacobs & Company, LLC, Mechanics Bank, Ellengale Toki and Owen Oakley, Susan and Stephen Chamberlin, Patricia Guthrie, and James Wheeler and Joyce Shon. And many, many thanks to the spectacular John Ziesenhenne, world famous auctioneer.
This year was our most successful auction ever! We raised more money than last year to support our scholarship program for youth and adults. Thanks for all of your help and for participating in this annual event. See you next year!!
Images clockwise from top left: Jos Sance’s Or, the Whale; Marguerite Browne and Maggie Powers; guests participating in the live auction; and artist Hilda Robinson (center) with Karen Jeffrey Anthony and Denise Jeffrey