Administration, Exhibitions and Front Desk Assistant Volunteer
Volunteered over 600 hours since 2010!
What is your favorite thing about volunteering at the Richmond Art Center?
“The opportunity to be around so many positive people!”
Teresa Philips is a familiar and welcoming face at the Richmond Art Center, having volunteered over 600 hours over the past four years working both at the front desk, and in the exhibitions office helping to organize the Center’s archives.
Born and raised in San Francisco, Teresa moved to the East Bay in 1995 and now lives in Richmond Annex. In addition to her role at the Richmond Art Center, she studies business computing at East Bay Works, and also plays tennis. She began volunteering at the Richmond Art Center at the suggestion of a friend. “I was looking for a way to occupy my spare time,” says Teresa, “and my friend told me to check out the Richmond Art Center. I’m really glad I did. There is just a very positive energy here.”
We are honored to have won Best Community Arts Center in the East Bay Express’ Best of the East Bay 2014. And we are amongst great company — congrats to our friends at Point Richmond Music Festival for winning Best Outdoor Music Series.
We’re thrilled that our exhibitions, on-site programs and traveling programs are being recognized with such a great award. As more people learn about and experience our work, we count ourselves lucky to have such passionate and creative instructors, dedicated volunteers and such engaged students and generous donors. Not to mention the talented artists whose work we have had the opportunity to showcase in our galleries. It takes a community of people to make the Richmond Art Center such a creative hub. THANK YOU community!
Eighteen teens from Richmond and San Pablo will unveil the two large murals they collaboratively designed and painted during a community celebration on Thursday, July 31 from 3:00 – 4:00 pm in the Marina Bay neighborhood of Richmond.
The murals are the culmination of a free eight-week summer class, part of the Richmond Art Center’s traveling Art in the Community programs, and sponsored by Topline, a business accelerator program which started in Richmond in June. The murals grace the entrance of its 40,000-square-foot building, which Topline’s founder, Allan Young, calls the biggest incubator co-working space in the East Bay.
“This mural project has been both a wonderful way to engage and build community and generate pride amongst the teens,” says Richard Ambrose, Richmond Art Center Executive Director. “The murals are a lasting piece of public art that the teens, the business community and the entire city can be proud of for years to come.”
Fall Exhibitions Highlight Artists of Bay Area Figurative Movement
(Richmond, CA) – The Richmond Art Center is pleased to announce its Fall Exhibitions program including, Closely Considered – Diebenkorn in Berkeley (September 14 – November 22, 2014), an important exhibition of works on paper by Richard Diebenkorn created during his Berkeley years (1953-1966). An opening reception will be held on Saturday, September 13, 2014, from 6:00 to 8:00 pm. The exhibition and opening events are free and open to the public.
The exhibition Closely Considered – Diebenkorn in Berkeley (September 14 – November 22, 2014) is celebration of the historic role that the Richmond Art Center played in supporting the artists of the Bay Area Figurative Movement, including Richard Diebenkorn, during their formative years. Diebenkorn, who spent most of his life in California, exhibited at the Art Center in the 1950s and held his first major exhibition of drawings here in 1968. This exhibition, guest curated by Jan Wurm, will include more than 42 intimate works by Diebenkorn and key artists of the Bay Area Figurative Movement, including David Park, Elmer Bischoff, Frank Lobdell, Nathan Oliveira and James Weeks — some of the artists closest to Diebenkorn.
Today’s 96 Hours features the opening of our new exhibition Ruth Braunstein: Focus on Clay. We are excited to have these ceramics objects in our galleries and are thrilled that Ruth will be joining us for the opening on Saturday.
Even before Ruth Braunstein opened her first art gallery in Tiburon in 1961, she was collecting pieces that made her happy and was drawn to works in clay.
A new exhibit of Braunstein’s private collection of ceramics that opens Saturday at the Richmond Art Center pays tribute to her advocacy of clay as a fine-art medium. Many of the pieces – by well-known artists including Peter Voulkos, Richard Shaw and Robert Arneson – have never been shown before.
“I love the exhibit on several different levels,” said Richmond Art Center curator and exhibitions director Anthony Torres. “It’s paying homage to Ruth’s life and work, but the collection is also a form of portraiture. It tells a great deal about who she is, and shows how she worked hard to democratize art.”
He added, “It’s diverse and beautiful, and there’s a whole myriad of objects.”
Read the full story: Ruth Braunstein Collection Helps Mold Clay’s Reputation, SF Chronicle, June 12, 2014.
The Richmond Art Center’s exhibition Ruth Braunstein: Focus on Clay, curated by Anthony Torres, honors and celebrates the life of Ruth Braunstein and her role in advancing the cultural history of art in the San Francisco Bay Area as a long-time gallerist, art advocate and collector.
“For nearly six decades, Ruth Braunstein has expanded and redefined the parameters of what may constitute legitimate ‘art’ forms,” says Anthony Torres, the Richmond Art Center’s Exhibitions Director and Curator of Art, “and she was thus instrumental in undermining long-standing hierarchies of art through her advocacy of the significance of clay as an artistic medium.”
Ruth Braunstein: Focus on Clay is anchored in the union of Braunstein’s personal life story with the histories represented through the objects on display, and the diverse interests, tastes, and values that informed her collection choices, all of which are integral to the history of San Francisco Bay Area art, its artists and galleries.
Youth Class Assistant Volunteer in the Education Department
What is your favorite thing about volunteering at the Richmond Art Center?
Angelica has been volunteering with children’s activities since 2013. As a high school senior and artist who doodles constantly, she has a knack for working with children in a creative setting. Her own practice of art extends from doodling to ceramics to watercolor to making objects out of paper mache. She cites Alister Dippner as a favorite artist, and admired the work in the exhibition Victor Cartagena: Sites/Sights of Intervention which was on view in spring 2014, and likes it because it’s “intense.”
We love having the artists of the Breakfast Group here each Saturday along with people from the community who join in for coffee, conversation and a presentation by one of the featured artists. We were thrilled to read this write up about the Breakfast Group in Art Critical, which is based out of New York. Apparently, the Breakfast Group is making waves on the other coast too!
Sarah Burke from the East Bay Express reviews Victor Cartagena’s installations in this week’s East Bay Express.
Victor Cartagena likens the act of remembering to that of crossing a bridge. In his artist’s talk at the Richmond Art Center, he described how he was forced to leave his home country of El Salvador in 1985 due to civil war, and sought refuge in California. Since being displaced, he has relied on this imagined bridge as recourse to a sense of identity and belonging. But it has been decades since he left his home, and much of what he wishes to return to no longer exists. Such tensions around identity and politics are the subject of the Bay Area artist’s installation Sites/Sights of Intervention, which is now on view at the Richmond Art Center.
The installation consists of various pieces that are meant to be experienced as a visual and spatial dialogue within which the viewer is centered. The gallery is dimly lit, and entering it is like wandering into Cartagena’s memory — a negative space of placelessness. “I heard the other day that memory is such a place that those who have memory leave the present …. and that makes me feel that I am not alone because being part of this group of immigrants, who live all over the world, we don’t belong anywhere,” said Cartagena. “We have our own territory, our own country — the immigrant country.”
Read the full review here.
Kenneth Baker’s review “Victor Cartagena’s subtle political wake-up call” appeared in todays’ SF Chronicle.
The more topical political art gets, the sooner it starts to look dated. Victor Cartagena has averted this risk by not tying his “Sites/Sights of Intervention” at the Richmond Art Center too closely to events in his native El Salvador.
Works in his complex ensemble evoke the tragedy of Latin American elites’ corruption, civil war and American anticommunist imperialism, but not too specifically.
In this context, an ostensibly simple object such as “Ante-Ojos/Anti-Eyes” (2014) – a framed pair of crushed glasses – summons thoughts of violent reprisal, the punishment of conscientious witness and the blindness of media complicity.
The work even suggests itself as a distant, underprivileged relation of Jasper Johns’ satirical relief sculpture of lensless glasses, “The Critic Sees” (1961), in which mouths stand in for eyes, and as symbolic windows to a disfigured soul.
Read the full review: Victor Cartagena’s Subtle Political Wake-up Call, SF Chronicle, April 11, 2014