FOR IMMEDIATE RELEASE Wednesday, February 21, 2024
ARTISTS ANNOUNCED FOR RICHMOND BIENNIAL EXHIBITION
Right Here, Right Now, Richmond Third Richmond Biennial of Art Richmond Art Center, 2540 Barrett Avenue, Richmond, CA 94804 Exhibition Dates: September 4 – November 21, 2024
Richmond, CA: Richmond Art Center announces the seven artists selected to present work in Right Here, Right Now, Richmond. In its third iteration, this biennial exhibition celebrates local, visionary art and ideas through commissioning new artwork from artists who either live or work in Richmond, California.
The 2024 RHRN artists are Anthony Delgado, Art Hazelwood, e bond, Erin McCluskey Wheeler, Helia Pouyanfar, Quinn Keck, and Taro Hattori.
The Biennial exhibition will be presented at Richmond Art Center and curated by Roberto Martinez. It will run from September 4 through November 21. Richmond Art Center is located at 2540 Barrett Avenue, Richmond, CA 94804. This program is funded, in part, with support from the National Endowment for the Arts.
ABOUT THE ARTISTS
e bond makes digital spaces by day, handmade books by night, hangs out with trees on weekends and writes something close to poems in the spaces between. Under the studio name roughdrAftbooks, she makes one-of-a-kind artists books, printed matter and abstract drawings that merge and blur the boundaries of art, craft, design and poetry. e holds a BFA from Moore College and an MFA from Mills College. ebondwork.com, @eisroughdraft
Anthony Delgado is a Californian by birth and by nature. His starting point in art was as a painter, attending UMASS in Amherst, and Cal for degrees in Fine Art. After working in graphic design for over 30 years, photography is now Delgado’s principal artistic pursuit. His recent work focuses on capturing the “decisive moment”, when animate and inanimate, emotion and action combine to form a singular image. www.anthonydelgado.com
Taro Hattori is an interdisciplinary artist who has shown his installations and socially engaged projects nationally and internationally. His recent work often creates relationships between physical sculpture and space with people with a specific socio-political background through their performances, conversations and singing. He is currently teaching at CCA the chair of Sculpture and Individualized Programs. www.tarohattori.com
For over 35 years Art Hazelwood has created politically charged prints, working with dozens of organizations from arts organizations to unions to grassroots movements. He taught printmaking at the San Francisco Art Institute where he founded the San Francisco Poster Syndicate, which brings together political poster makers to work with activists. UC Santa Cruz Special Collections has established an archive of approximately 300 of his political prints. www.arthazelwood.com
Quinn Keck is a multidisciplinary artist working across traditional printmaking, painting, and digital mediums to create dialogues on the human experience. Instead of portraying just the physical form of people, places, and objects, Quinn abstracts layers to discuss identity, memory, perception, and grief – exploring the absurdity of making patterns in a chaotic world in their work. www.quinnkeck.com, @running.from.the.silence.press
Erin McCluskey Wheeler, born and raised in, and current resident of, Richmond, CA, is a mixed media artist, writer, curator, and teacher. Erin is a studio facilitator at NIAD Art Center in Richmond and teaches online with 92NY. Erin holds a BA in studio art and art history from Beloit College, and an MFA from California College of the Arts in writing. erinmccluskey.com, @erinmwheeler
Helia Pouyanfar was born in Tehran, Iran, and immigrated to California in 2014. Inspired by her cultural background, her architectural sculptures and research endeavors to illustrate and investigate the permanently transient state of the refugee body and its negotiation and reconciliation with Place. She received her BA from University of California, Berkeley and her MFA from University of California, Davis. heliapouyanfar.com, @heliapouyanfar
About Richmond Art Center Richmond Art Center has been sharing art and creating with the community since 1936. Our programs encompass classes, exhibitions and events at our facility in downtown Richmond, as well as off-site activities that bring free, high-quality art making experiences to WCCUSD schools and community partners. richmondartcenter.org
For more information contact: Amy Spencer, amy@richmondartcenter.org
Have Your Work Featured in the Spring Student Showcase
All media! All levels of experience! No entry fees!
Deadline to Enter: Wednesday, March 6, 2024, 11:59pm
Exhibition Dates: April 10 – June 14, 2024
About the Exhibition: Presented in the Community Gallery, the Student Showcase is a juried show of artwork by current and recent Richmond Art Center students. 6 to 12 artists will have their work selected for the exhibition, with an emphasis on presenting multiple pieces (2+) by the same artist to demonstrate students working in series and diving deeper into their chosen media or themes. Artworks will be selected by Richmond Art Center staff using the criteria: Artist Excellence and Diversity of Media/Themes.
Eligibility: All students who have taken a class or workshop at Richmond Art Center in the past three years are eligible to enter. Entries may include work done in a RAC class, or work completed over a period of time in response to techniques, processes or themes a student explored in a class at Richmond Art Center. All artwork media and sizes will be considered. See Terms at bottom of this webpage for more info.
Exhibition Schedule:
Deadline to Enter: Wednesday, March 6, 2024, 11:59pm
Artist Notification: By Monday, March 11, 2024
Artwork Drop Off: Saturday, March 16, 10am-1pm OR Monday, March 18, 10am-1pm
Exhibition Dates: Wednesday, April 10 – Friday, June 14, 2024
Reception: Thursday, April 18, 5pm-7pm
Artwork Pick Up: Saturday, June 15, 10am-1pm
Prepare Your Artwork Submission:
Artwork submissions must be original work created in 2021 or later
Students may submit minimum 1, and up to 4 artworks images, for consideration for the exhibition
Image files should be jpgs or pngs with a maximum 1 MB file size
Include caption information for each artwork image (title, year, media, dimensions)
*TERMS: Selection: Entry does not guarantee selection for the exhibition. Installation Ready: Selected artworks should be installation ready with any hanging hardware attached (rods, hanging wire, d-rings, etc.), and labeled with artists full name on the back/underneath. Work on paper should be framed or mounted. Artwork Delivery: Selected artwork must be delivered to Richmond Art Center during scheduled drop off dates: Saturday, March 16, 10am-1pm OR Monday, March 18, 10am-1pm. Artwork Pick Up: All artworks must be picked up on the scheduled day: Saturday, June 15, 10am-1pm (unless artwork is sold).
Tuesday, April 16, 5pm-6:30pm (Award Presentation at 5:45pm)
Richmond Art Center, 2540 Barrett Avenue, Richmond, CA
FREE
A special reception to celebrate the artistic achievements of over 300 students from thirteen different West Contra Contra Unified School District schools participating in the annual Student Art Show! Featuring music by the De Anza High School band.
All friends and family of the students are welcome. No RSVP is necessary.
Top image: Artwork by Cashel Shaughnessy, Fred T. Korematsu Middle School
Richmond Art Center, 2540 Barrett Avenue, Richmond
Children of the Black Panther Party share their stories. Hear firsthand accounts of growing up in a revolutionary movement that changed the course of history. Don’t miss out on this unique chance to learn about a crucial part of American history from the children who lived it.
Richmond Art Center is proud to be a resource for hosting community meetings and events. Richmond Art Center is not the organizer of this event. For more information contact hello@lifechangingwriting.com
Art of the African Diaspora Artistic Achievement Award Winners Announced
Every year three Art of the African Diaspora artists receive Artistic Achievement Awards to have their work featured at Richmond Art Center. This year at the opening reception for the exhibition the 2024 awardees were announced: Carrie Lee McClish, Deborah Butler and Kim Champion. Congratulations to these three artists!
Don’t forget to check out the work by last year’s winners – John Broussard, Valerie Brown-Troutt, and Stacy Mootoo – currently on view in the West Gallery.
Top image (l-r): Carrie Lee McClish, Deborah Butler and Kim Champion
Richmond Art Center staff are deeply saddened by the news of artist Hilda Robinson passing on December 27, 2023. Hilda was a joyful presence at so many Richmond Art Center exhibitions and events. She will be deeply missed.
Hilda Robinson was a beloved artist whose vivid pastels captured joy, love of family, and community in celebrations of life. Hilda grew up in Philadelphia and as a young adult studied painting at the Tyler School of Fine Arts at Temple University. She later completed her BA and MA studies in art at UC Berkeley.
“My mom was a quiet, humble observer who enjoyed her life to the fullest, while documenting each moment in sketch books that later became paintings,” says her daughter Ramona. “She wanted the observers of her art to know her story, and that of her family, while also being reminded of their stories, their families, their friends, the people they admire, the places where they grew up, and the places where they currently live.”
Hilda Robinson was one of the longest participating artists in The Art of Living Black/Art of the African Diaspora. She was deeply connected to the founders and would fondly recall her friendship with Rae Louise Hayward. In 2000, Hilda received the Jan Hart Schuyers Award for Artistic Achievement, and had her work featured in The Art of Living Black in 2001.
Hilda’s artwork has garnered national acclaim, with exhibitions at prestigious galleries like J. Latham Gallery in New York, New York, and a solo show at Art Vision in South Bend, Indiana to name a few. She was also very generous in sharing her artwork in her community at local art institutions and galleries. In 2013, Hilda presented a solo exhibition featuring illustrations from her children’s book, “Didn’t We Have Fun!,” at Richmond Art Center. Her diverse portfolio now resides in both private and public collections, adorning numerous locations throughout the nation. Notably, her creations hold a significant presence in the Alameda County Arts Commission’s Public Art Collection and were recently showcased in The de Young Museum Open 2023.
Hilda was beloved in this community and her vivacious enthusiasm for art and life will be missed, but her beautiful artwork will continue to inspire us all.
When the Richmond Art Center lost its biggest donor last year, Executive Director José Rivera said he was worried about the future.
“Over many years, that donor contributed $100,00 annually, making him the most significant benefactor in the center’s history when considering the cumulative sum of his contribution over time,” he said. “We lost him since last year he closed out his foundation.”
For a while, it wasn’t clear how the RAC would make up that shortfall.
But things are looking brighter.
So far, the center has raised more than one-third of the $300,000 it needs to cover registration fees and tuition for 2024. In addition, it met its $30,000 scholarship goal.
The scholarships, Rivera said, allow the center to offer art classes, which attract newcomers and grow the membership. They also make classes accessible to people who could not afford to pay $40 to $50 per session.
“We are in the black now, not red,” said Rivera, who attributes the turnaround to several factors that have increased revenue and donations.
The RAC has been holding more exhibitions and partnering more with sister museums to raise visibility and draw crowds from outside of Richmond. In 2022, for example, it partnered with the SFMOMA on the exhibition “Emmy Lou Packard — Artist of Conscience.”
“We also have a good amount of returning students who want to continue taking art classes after their first quarter,” said Elaine Moreno, the center’s visitor services coordinator. “A lot of students feel comfortable and love the space, so they return, and some even take multiple classes at a time.”
In addition to classes, the center holds events in community gathering spaces like the farmers market, flea markets, and schools. The community programs are free to the public. Some are funded through partnerships or grants, said Irene Conde, the center’s education director.
The center also recently hired Kimberly Ross as public programs coordinator Her goal is to help the center reach more people.
“My priority is to expand our reach and connect directly with the people of Richmond, making the Richmond Art Center and our offerings accessible to everyone,” she said. “As a Richmond native and artist, I can achieve this goal by tapping into my network to create opportunities for program collaboration with local organizations and businesses.”
We did it! With support from you and you and you, we’re happy to announce that we reached our End-of-Year Appeal fundraising goal and raised over $100,000.
Thank you to everyone who contributed.* We couldn’t do it without you!
Onwards 2024!
*Thank you gifts can be picked up from RAC on January 19 or 20, from 11am to 3pm.
In an arena where they’re often in the shadows, Black artists are creating spaces to recognize and celebrate their talent.
For the 28th year, the Richmond Art Center will present the “Art of the African Diaspora” exhibition, later this month. AOTD gives local artists of African descent a way to share their work with the community and each other.
The showcase, which will run from Jan. 24 to March 16, will feature 160 Bay Area artists working in a variety of mediums.
“You have artists who are at different stages of their career and success. This allows younger and mid-career artists to show their art,” said Stephen Bruce, a Richmond artist who chairs the steering committee.
The idea of this Black art mecca was first nurtured by the late Jan Hart-Schuyers, a revered Bay Area artist, art educator, and community organizer, according to the AOTAD website. Lauded for her many sculptures, Schuyers established a partnership with Los Angeles-born painter Rae Louise Hayward, and the two would go on to produce the first AOTAD showcase in 1997 under the name “Art of Living Black,” which featured 35 artists. Though they didn’t live to see the event’s growth, their vision was fulfilled.
But when the showcase ends each year, many of the participating artists return to a harsh reality. Since the first museums opened in America, Black people have had their likeness on display but seldom have had the chance to be recognized for their own works: a pattern noted by scholar Bridget R. Cooks in her book “Black Artists and Activism: Harlem on My Mind.”
In 2022, Julia Halperin and Charlotte Burns, who created the Burns Halperin Report to analyze representation in the art market, surveyed 31 American museums and found that African American artists were underrepresented. Work by Black female artists comprised 0.5% of acquisitions of all the museums surveyed. And of the top 20 artists, only one — Julie Mehretu from Ethiopia — was of African descent.
AOTAD seeks to give more Black artists a platform to showcase their creative skills.
“This is like our Harlem Renaissance,” artist Kelvin Curry said, referring to the Black cultural revival in the 1920s.
This season’s showcase offers variety. Illustrator Virginia Jourdan, who’s been participating since the first showcase, is displaying acrylics. She’s produced works ranging from portraits to urban landscapes, and says her work is focused on “uplifting African American images.” Jourdan said she’s grateful for a space that allows her to celebrate her craft.
“Art is very relaxing for me and something that’s innate,” Jourdan said.
Curry’s work also is featured. A multimedia artist, Curry describes his work as “figurative, abstract, and symbolic.” He incorporates African-inspired shapes and color schemes into his work.
With the showcase, Curry said, “I hope to gain new collectors and more exposure.”
Bruce, who’s participated in AOTD since the beginning like Jourdan and Curry, said that the showcase benefits Bay Area residents as much as it does the artists, giving people a chance to experience art they otherwise might not have seen. After months of planning, he is excited for opening day.
“It’s a great opportunity for people to see an array of artists in their community,” Bruce said.
More information about the exhibit is on the AOTAD website.
