Richmond Art Center Richmond Art Center

Asé Arts

This is a series of images representing the Òrìṣàs African deities of the traditional Yoruba Ifa religious system that was carried to the West Indian islands and the Americas through the transatlantic slave trade. Where upon arrival slaves were baptized into the Roman Catholic Church. Forced to practice their native faith in secret the slaves masked their African rituals and deities with the practices and saints of the Catholic church. Evolving into Vodun religion found in Haiti, Santaria in Cuba and Candomblé in Brasil the syncretism of these traditions have became one of the most complex and flourishing faiths of the African diaspora. Òrìṣà also spelled Orixas, orichá or orixá are ancestors who have been deified. They are the link between the spiritual world and the world of humans. Each orixa represents a certain force in nature, elements of air, water, fire, as well as to mountains and animals. In addition, each deity has a specific attribute: a color, a metal, a day of the week, a favorite dish, a certain drumbeat, etc…. The Orixas act as mediators guiding us back to our origins of strengths and connecting us to our higher power. In the complex multi-faceted world of today we are constantly distracted. In our need to create we have built so many things that it has formed a disconnect to our natural spiritual energy. More and more we are seeking to connect back to this true essence, to tapping into that inner voice that links us to that higher power. The inner voices guides and protect you. It can be seen as our conscious, ancestors, saints, forces of nature or Orixas. This series of art works represent your Orixa, your protector, your guiding voice, your connection to those that no longer exist who have left words of wisdom and keys to unlock your natural spiritual energy.

Artist Nichole Talbott is a Colorado native with a background in graphic design. Relocated to the Bay in 2011 to pursue a career in Arts Education. She has become an arts advocate who believes that art has the power to change lives. She spends her time creating spaces that help individuals find their voice, that allow individuals to collaborate and learn from one another, spaces where they build community and re-imagine the world. Pulling from her background in graphic design Nichole likes to explore combining different mediums to build one cohesive piece not to limit herself to one style or technique. Seeing how different mediums work together to create a layered effect of complexity.

Nichole’s website

Spun, Dyed, Woven, Tied: Lia Cook

Saturday, October 6, 2018

Organized by Inez Brooks-Myers

A one-day symposium at the Richmond Art Center on the history of California textile art, and current trends, innovations and happenings. Guest speakers: Susan Avila, Carole Beadle, Alice Beasley, Jean Cacicedo, Lia Cook, Ellen Hauptli, Amy Keefer, Barbara Shapiro, Stacy Speyer, JoAnn Stabb, and Deborah Valoma

Spun, Dyed, Woven, Tied: JoAnn Stabb on Katherine Westphal and Ed Rossbach

Saturday, October 6, 2018

Organized by Inez Brooks-Myers

A one-day symposium at the Richmond Art Center on the history of California textile art, and current trends, innovations and happenings. Guest speakers: Susan Avila, Carole Beadle, Alice Beasley, Jean Cacicedo, Lia Cook, Ellen Hauptli, Amy Keefer, Barbara Shapiro, Stacy Speyer, JoAnn Stabb, and Deborah Valoma

Spun, Dyed, Woven, Tied: JoAnn Stabb on Kaisik Wong

Saturday, October 6, 2018

Organized by Inez Brooks-Myers

A one-day symposium at the Richmond Art Center on the history of California textile art, and current trends, innovations and happenings. Guest speakers: Susan Avila, Carole Beadle, Alice Beasley, Jean Cacicedo, Lia Cook, Ellen Hauptli, Amy Keefer, Barbara Shapiro, Stacy Speyer, JoAnn Stabb, and Deborah Valoma

Spun, Dyed, Woven, Tied: Amy Keefer

Saturday, October 6, 2018

Organized by Inez Brooks-Myers

A one-day symposium at the Richmond Art Center on the history of California textile art, and current trends, innovations and happenings. Guest speakers: Susan Avila, Carole Beadle, Alice Beasley, Jean Cacicedo, Lia Cook, Ellen Hauptli, Amy Keefer, Barbara Shapiro, Stacy Speyer, JoAnn Stabb, and Deborah Valoma

Spun, Dyed, Woven, Tied: Alice Beasley

Saturday, October 6, 2018

Organized by Inez Brooks-Myers

A one-day symposium at the Richmond Art Center on the history of California textile art, and current trends, innovations and happenings. Guest speakers: Susan Avila, Carole Beadle, Alice Beasley, Jean Cacicedo, Lia Cook, Ellen Hauptli, Amy Keefer, Barbara Shapiro, Stacy Speyer, JoAnn Stabb, and Deborah Valoma

Be Our Next Catalog Cover Artist!

We’re looking for extraordinary art made here in our studios to feature as our next (and future!) catalog cover image. Maybe it’s yours.

Image requirements:

  • Work must be made here in one of our studio classes or workshops within the last year.
  • Current students and teaching artists may apply.
  • Work must be emailed to julie@richmondartcenter.org 
    • Full size color jpegs at 300dpi
    • Minimum size 8″ x 10″
    • Caption including artist’s name, title of work, class taken (and instructor’s name), medium, date.
    • Limit three images per person.

Questions? Email Julie Sparenberg at julie@richmondartcenter.org

Deadline is October 17.

Donate Your Fabric for a Good Cause!

Bring your unused fabrics to the RAC! We’ll make sure the artists at the Social Justice Sewing Academy can use them for their upcoming quilt projects. (We will be exhibiting their work in partnership with The Latina Center this Winter!)

What is the SJSA? Founded in 2017, the Social Justice Sewing Academy (SJSA) is an art program where youth create art that engages and educates communities. Through quilt making, the organization empowers youth to become advocates for social change, while at the same time opening the door for dialogue and action within the wider quilting community.

We’re Hiring: Development Assistant and Database Coordinator

Position: Development Assistant and Database Coordinator

Schedule: 24 hours weekly: non-exempt, days/hours to be determined

Supervisor: Director of Development

Essential Functions:

Under the supervision of the Director of Development, the Development Assistant and Database Coordinator (1) manages the fundraising database, (2) supports all activities of the annual fund including handling all gift acknowledgements and annual fund mailings, (3) has responsibilities in the areas of foundation and corporation research, grant writing, and reporting, (4) assists in all fundraising events and donor stewardship.

Database management:

  • Manages database to support high quality relationship, funding management, and knowledge sharing
  • Daily maintenance of database, including gift processing, contact management, troubleshooting errors
  • Prepares reports on annual fund progress, special appeals,
  • Prepares donor lists for all reporting, donor wall updates, annual reports

Annual fund:

  • Prepares mailing lists and email lists for annual fund
  • Oversees the production of the annual fund mailing
  • Liaisons with printer and mailing house to assure timely delivery
  • Enters gifts into database
  • Maintain acknowledgment of gifts
  • Creates regular comparative reports on progress towards goals
  • Organizes annual Board thank you phone-a-athon

Research and Administration, Foundations and Corporations

  • Assists with prospect research for foundations and corporations
  • Prepares boilerplate proposals for submittal
  • Prepares support materials for all proposals
  • Assists in writing letters of inquiry
  • Prepares grant reports to foundations and corporations
  • Maintains foundation and corporation calendar

Fundraising events and donor stewardship:

  • Assists in all aspects of annual fundraising event, Party Richmond
  • Assists with all donor stewardship events
  • Assists with other events related to donors and Board of Directors

Other:

     Other duties as assigned by Director of Development

Minimum Qualifications

  • Bachelor’s degree  
  • 1-2 years experience working with fundraising software such as Raiser’s Edge, DonorPerfect, Salesforce
  • Proficient with data entry, data report writing, queries, and exports
  • Excellent communication and writing skills.
  • Demonstrated ability to manage and complete multiple tasks in a busy environment.
  • Ability to work with minimal supervision and independently motivated.
  • Attention to detail and ability to organize data, schedules, tasks and projects.
  • Proficient in MS Word, Excel, Google Suite.

Examples of Database Assistant skills:

  • Computer skills – most of a database assistant’s work is done on a computer, so you should be comfortable accessing information and using programs on one or more operating systems
  • Data entry – database assistants spend a significant amount of time on data entry tasks, so you should have exposure to data entry processes and understand best practices
  • Attention to detail – this role requires a high level of attention to detail to ensure that data is correctly entered and secured and that it’s accessible by authorized personnel. Database assistants must also pay close attention when verifying data
  • Team coordination – because they provide support to personnel throughout the organization, database assistants are excellent at working with teams and coordinating their activities with business needs
  • Time management – this role also requires excellent time management, since database assistants move from task to task throughout the day
  • Communication skills – effective verbal and written communication skills are also vital in this role, particularly when providing assistance to employees or preparing reports

PHYSICAL DEMANDS AND WORK ENVIRONMENT

  • The noise level in the work environment is usually moderate.

About the Richmond Art Center: 

A non-profit organization, the Richmond Art Center has provided 80 years of excellence in arts education and exhibitions for the East Bay region. The Art Center’s mission is to be a dynamic arts organization that empowers and transforms individuals and the community through creative exploration, experience and education. The largest Art Center in the East Bay, the 1951 vintage modern facility is part of Richmond’s Civic Center Plaza and receives partial funding from the City of Richmond. The Art Center offers one of the most extensive schedules of exhibitions and art instruction programs in the East Bay, presenting 13 -16 exhibitions in four galleries, and providing 50-60 art classes and workshops in six studios four times a year to 400-450 students each quarter, ages 5 and up of all skill levels. In addition, the Art in the Community program offers after school art experiences to schools and various community centers, engaging nearly 1700 underserved student age children. The Art Center has over 600 members, 100 volunteers, 11 full-time and four part-time staff. The Center has an operating budget of just over $1.3 million.  

To apply, please submit the following materials via email:
Resume and a cover letter introducing yourself, stating how your work experience qualifies you for this position, how this opportunity supports your career goals.  Also include the names and contact information for three professional references. Open until filled.

Send all materials to Catherine@richmondartcenter.org


Compensation & Benefits:  Depending on experience.
DOE, includes vacation, sick, and holidays, contribution towards group health plan.  

The Richmond Art Center is an equal opportunity employer, values diversity and respects differences. 

Principals only. Recruiters please don’t contact this job poster.

Visit and Contact

Richmond Art Center
2540 Barrett Avenue
Richmond, CA 94804-1600

 

Contact and Visitor Info
Gallery Hours: Wed-Sat 10am-4pm